Selasa, 22 November 2011

Beerfest (Unrated Widescreen Edition)

  • After a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!Running Time: 116 min. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 085391102076 UPC: 085391102076 Manufacturer No: 110207
After a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!

DVD Features:
Audio Commentary
Deleted Scenes
Featurette
Interviews
Other

While it didn't quite spark a trend in chug-a-lug brew comedies, Beerfest is the kind of zany time-killer that's a lot funnier if you're within reach of a six-pack and Doritos. In ! other words, this is yet another low-brow laff-a-thon from the Broken Lizard gang (Super Troopers) that's likely to draw a bigger audience on DVD than it did in theaters, especially since there's a lot of duds (and flat suds) to sit through while waiting for the next big beer-belly-laugh. It's the kind of movie that thinks masturbating frogs are funny (OK, you decide), while serving up a gang of guzzling Americans (the aforementioned Broken Lizard troupe, who also write this stuff with director Jay Chandrasekhar) who compete in an epic beer-drinking contest against the nefarious German challenger Baron Wolfgang Von Wolfhausen (played by German actor Jurgen Prochnow, whose starring role in Das Boot inspires one of this movie's better jokes). When it's not trying to top itself in terms of sheer stupidity and juvenile humor, Beerfest satisfies its target audience (basically, frat-rats and party animals) with some gratuitously bare-breasted babes, rampant consumpt! ion of alcohol, and the welcomed appearance of Cloris Leachman! , who so rt-of reprises her "Frau Blucher" persona from Young Frankenstein. So basically what you've got here is a dim-witted but energetic comedy called Beerfest that delivers exactly what you'd expect from a movie with that title. Who says truth in advertising is dead? --Jeff Shannon

Historic El Cortez Hotel Neon sign on Freemont Street in Las Vegas, Nevada - 16"x20" - Fine-Art Gicle Photographic Print by Carol M. Highsmith

  • Historic El Cortez Hotel Neon sign on Freemont Street in Las Vegas, Nevada
  • Photographer Carol M. Highsmith
  • Photographs America offers thousands of landscape and city views. As well as thousands of historic prints from the Library of Congress Collection.
  • Each print is carefully packaged in either a strong card-board tube, or in a heavy duty card-board envelope to insure safe arrival.
  • Each print is custom printed using the fine-art giclee process.
Studio: Monarch Video Assoc. Release Date: 12/09/2008 Run time: 94 minutes Rating: REL CORTEZ - DVD MovieCD: 1. Obertura 2. Yo No Quiero Llamarme Como Me Llamo 3. Nanda De Cebolla 4. La Vejez 5. Que Maravilla 6. De Ayer A Hoy 7. A Modo De Responso 8. Como El Primer Dia 9. En Un Rincon Del Alma 10. Callejero 11. La Caja De Los Vientos 12. Mi Arbol Y Yo 13. El Amor Desolado 14. Camina Siempre Adelante 15. Castilos En El Aire 16. Cuando Un Amigo Se Va DVD: 1. Yo No Quiero Llamarme Como Me Llamo 2. Yo Voy Sonando Caminos 3. Las Moscas 4. La Vejez 5. Siempre Hay Algo Mas 6. Distancia 7. La Vida 8. Nanas De Cebolla 9. Que Maravilla 10. De Ayer A Hoy 11. Yo Quiero Ser Bombero 12. A Modo De Responso 13. Que Suerte He Tenido De Nacer 14. Callejero 15. La Caja De Los Vientos 16. Poryecto De Amor 17. Son Ninos Nuestros 18. Mi Arbol Y Yo 19. Camina Siempre Adelante 20. El Amor Desolado 21. No Soy De Aqui 22. Castillos En El Aire 23. Cuando Un Amigo Se Va 24. En Un Rincon Del Alma8x10 b&w photo.........Class Elevator At El Cortez Hotel San Diego CA The Perfect Picture, Inc s photographs are printed using Shinko printers and lab technology. This type of developing is quickly becoming the standard with professional photo lab technicians. We produce an exhibition quality print that has truly neutral tones and great depth in clarity that is far better than traditional black and white lab prints. We are dealing with historical photographs from a wide range of regions, creators and time periods. There is variation in the quality. We always ask ourselves if we would be pleased with a particular image before we add it to our inventory. We do not stock low quality snapshots, cheap digital scans or multigenerational prints. Most of our images are available for use, as most of them are in public domain. We can license some of our images for commercial use. If you would like more information about some of our photographs please email us.! Photographs America presents thousands of stunning, keepsake, and whimsical photographic prints by noted American photographer Carol M. Highsmith and landscape photographer Brendan Reals, as well as thousands more custom-corrected prints of vintage photographs from the Library of Congress collection. The images depict every region and every state: scenic landscapes, city skylines, aerial and small-town scenes, rustic rural views, Civil War sites, classic American landmarks, majestic national and state parks, intricate architectural details, fine art, animals, humorous situations, historic color and B&W photographs and engravings, vintage circus posters, World War I and II posters, and W.P.A. posters. Most photographs enlarge beautifully into the dimensions ordered. Square and other irregular-size photographs will be printed at the maximum size that best maintains their visual quality; these prints may be somewhat larger or smaller than the dimensions ordered.

Big Trouble

  • The laughs come fast and furious as Tim Allen (JOE SOMEBODY, GALAXY QUEST) and Rene Russo (SHOWTIME, THE THOMAS CROWN AFFAIR) star in a film from Barry Sonnenfeld, director of GET SHORTY and MEN IN BLACK. Based on humorist Dave Barry's best-selling first novel, BIG TROUBLE follows the comedic chaos created when a mysterious suitcase that threatens the security of Miami changes the lives of a d
BIG TROUBLE - DVD MovieThe frantic pacing of Big Trouble is surely intentional, but the movie leaves you wanting more of... something. Not more characters--it's got plenty of those--but more room for them to breathe in a top-heavy plot that recalls Get Shorty (also directed by Barry Sonnenfeld) without reaching those heights of ingenuity. Based on the bestseller by syndicated Miami Herald columnist Dave Barry, this Miami-based mayhem bears the distinct imprint of Barry's humo! r, in which absurdities pile up like rush-hour traffic, involving a former journalist (Tim Allen) connected by circumstance to a wealthy schemer (Stanley Tucci), his bored wife (Rene Russo), Russian mobsters, mismatched cops (Janeane Garofalo, Patrick Warburton), power-crazed FBI agents (Heavy D, Omar Epps), a Frito-loving drifter (Jason Lee), cretinous criminals (Tom Sizemore, Johnny Knoxville), and a gigantic toad that shoots hallucinogenic saliva. Culminating in an airport bomb smuggling (prompting the film's delayed release after the tragedy of September 11, 2001), Big Trouble needs the brilliant cohesion of Dr. Strangelove; what it gets is Sonnenfeld's knack for sustained chaos, and a few decent belly laughs. --Jeff Shannon
!

City of Men

  • As Seen on the SUNDANCE CHANNEL From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture tha
Paulo Morelli's film is a pacy, bloody thriller that pays warm tribute to a diverse cross-section of American directors including Quentin Tarantino and Michael Bay. Bullets zing across the screen, heavy artillery is deployed at all times, and Morelli makes great use of the twisty favela streets during some frantic chase sequence. Silva and Cunha, who both had roles in CITY OF GOD, carry the picture with impressive ease, and while CITY OF MEN isn't an official sequel to Meirelles's lauded picture, it does! serve as a neat continuation of that film's unshakable portrayal of the violence that has beset so many young lives in the slums of Rio de Janeiro.Action-packed and fueled by Brazilian funk, City of Men returns the makers of City of God to the scene of their first success. In this case, the search for family supersedes the search for identity--not that there isn't a correlation between the two. Though produced by Fernando Meirelles, Paulo Morelli's feature isn't a sequel, but a follow-up to the four-season series of the same name. While Meirelles's movie takes place in Rio de Janeiro's past, Morelli's transpires in the present (not counting flashbacks from the show). Days away from turning 18, boyhood friends Acerola (Douglas Silva) and Laranjinha, a.k.a. Wallace (Darlan Cunha), grew up without fathers. Ace has a wife and child; Wallace has a steady girl. The duo gets along with the gang that rules their labyrinthine hillside neighborhood or favela, bu! t hoodlum life holds little appeal. Ace struggles to raise his! young s on--his security guard father was murdered during a robbery--while Wallace tries to track down the dad he never knew. With Ace's assistance, Wallace solves the mystery of his genealogy, but at great cost to their friendship (and lives). Despite the South American pedigree, City of Men suggests the South Central of Boyz N the Hood more than City of God. It's not that Morelli's kinetic film looks like John Singleton's more classically composed enterprise, but that it deals with similar inner-city concerns. That said, Silva and Cunha are every bit as charismatic as Ice Cube and Cuba Gooding Jr.--if not more so. --Kathleen C. FennessyAs Seen on the SUNDANCE CHANNEL

From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and Kátia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slu! m starring Darlan Cunha and Douglas Silva, featured in the motion picture that inspired this series.

The CITY is a shantytown located in one of the many mountains of Rio de Janeiro. The MEN are two 13-year-old kids, Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.Brazilian TV series City of Men is a dazzling, propulsive, and fiery exploration of life in a chaotic Rio de Janeiro slum, seen through the eyes of Acerola (Douglas Silva) and Laranjinha (Darlan Cunha). These two boys prove to be amazingly charming tour guides to a world by turns terrifying and exhilarating. Using the jam-packed storytelling that made the movie City of God such a revelation, the first episode alone is a marvel, merging the history of Napoleon with a cutting analysis of drug lords and class structure ! in the poverty-ridden neighborhood. The other three episodes o! f the fi rst series carry on this riveting approach, mingling social observation with rich, compelling characters. From the second series on, the show becomes less overtly political and more about Acerola and Laranjinha's passage from youth to adulthood (embracing, with humor and pathos, the adolescent boys' obsession with sex)--though every episode has some sly or startling observation about race, wealth, and gender. Each series is filmed a year after the previous one, so the boys literally grow before our eyes; it's impossible to watch and not feel deeply involved as Acerola woos a girl named Cristiane and ends up a way-too-young father, or as an innocent prank escalates into a life-and-death struggle. Some episodes teeter on the brink of silliness--one of the last ones has the boys engaging in absurd cross-dressing--but the briskness of the writing and the charisma of Silva and Cunha carry the show through. Add to this the dynamic musical score of Brazilian pop and samba, and you ! have essential viewing. World music has already found popularity in the U.S.; welcome to a masterpiece of world television. --Bret Fetzer

Gone

House of Sand and Fog

  • Condition: New
  • Format: DVD
  • AC-3; Anamorphic; Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitled; Widesc
Filmed entirely on the magnificent, sandy coast of northern Brazil, Áurea's saga begins in 1910, in Maranhão, where her fanatical husband has relocated his family to start a farm. Desperate and pregnant, Áurea (Fernanda Torres) longs to return to the city, but cannot traverse the dunes with her aging mother, Maria (Fernanda Montenegro) in tow. When calamity strikes, the two women find themselves stranded. Eventually, they settle among the shifting sands and Áurea finds peace. But her passionate daughter, Maria, longs to explore the world beyond the dunes. This profound portrait of passing generations has established Andrucha Waddington as one of the most exciting directors in Brazil today.The landscape looks like the surface of the moon. Set in Br! azil's Maranhão desert, House of Sand follows three generations of women, from 1910 to 1969, as they eke out a living from this hostile environment. Oafish Vasco (director Ruy Guerra) brings pregnant wife Áurea (Fernanda Torres) and her mother, Dona Maria (Fernanda Montenegro, Central Station), from the city to make a new start. Shortly after they arrive, fate takes him out of the picture. Mother and daughter muddle through with the help of slave descendents. Wary at first, Massu (Seu Jorge, City of God) takes a particular shine to the duo. The story then skips ahead to 1919, when an escape route materializes. There will be two more shifts in time. By 1942, Áurea's daughter, Maria (Torres), has grown into impetuous womanhood, while Áurea (Montenegro) and Massu (Luiz Melodia) have settled into middle age. In the final section, set during the year of the first lunar landing, Áurea (Montenegro) is around the same age as her mother at the start of the ! film. With the exception of Camilla Facundes as nine-year-old ! Maria, T orres and her real-life mother assume every female role. What does it all mean? Andrucha Waddington (Me You Them) doesn't burden his enigmatic epic with a singular message, but those who appreciate dust-swept dramas like Woman in the Dunes and Walkabout aren't likely to hold it against him. The point seems to be that the human--especially the female--capacity for survival knows no bounds. --Kathleen C. Fennessy

Stills from House of Sand (click for larger image)



!





Academy Award winners Ben Kingsley (Gandhi) and Jennifer Connelly (A Beautiful Mind) deliver stunning performances as two strangers whose conflicting pursuits of the American Dream lead to a fight for their hopes at any cost. What begins as a struggle over a rundown bungalow spirals into a clash that propels everyone involved toward a shocking resolution. "The surprise ending will leave you breathless!" (Clay Smith, Access Hollywood! )Jennifer Connelly followed up her Academy Award for A Beau! tiful Mi nd with this dark but moving story of small mistakes that escalate, with tragic necessity, to disaster. In House of Sand and Fog, Kathy (Connelly) gets evicted from her house for failing to pay a tax she never should have been charged in the first place. The house is swiftly put up for auction and bought by a former military officer from Iran named Behrani (Ben Kingsley, Sexy Beast). When legal efforts fail her, Kathy turns to a sympathetic cop (Ron Eldard, Bastard Out of Carolina), who wants out of a loveless marriage and who's willing to step over legal boundaries if it might give him a fresh start. Topnotch performances by the entire cast make House of Sand and Fog a compelling psychological drama; your sympathies will be pulled in all directions. --Bret Fetzer

Attwood Braided Polypropylene General Purpose Rope

  • Floating line
  • Great for miscellaneous uses around the water
  • Assorted Neon Colors
JACKIE ISN'T FIGHTING FOR GLORY. SHE'S FIGHTING FOR RESPECT.INSPIRED BY A TRUE STORY, JACKIE IS A SASSY, BRASSY BOXINGMANAGER-IN-THE-MAKING DETERMINED TO CHANGE 'LETHAL' LUTHER SHAW FROM A MERE STREET PUNK INTO A WORLD CLASS PRIZEFIGHTER.The Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Rya! n, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff ShannonThe "Rocky" formula nearly wears out its welcome in "Against the Ropes", a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's "The Corner") has strictly played it safe, delivering a foregone conclus! ion almost from the very first scene. Burdened with a by-the-n! umbers s creenplay by Cheryl Edwards ("Save the Last Dance"), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. "--Jeff Shannon"The Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutto! n (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff ShannonAGAINST THE ROPES/NECESSARY ROUGHNESS - DVD Movie

Wrestling the Hulk

How many people! can say they stood up against wrestler Hulk Hogan and came ou! t victor ious? Linda Hogan did just that. After twenty-four years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and love her life. She has found happiness in a new relationship with a younger man, proving that it’s never too late to start over.

Wrestl! ing the Hulk

How many people can say they stood up against wrestler Hulk Hogan and came out victorious? Linda Hogan did just that. After twenty-four years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and love her life. She has found happines! s in a new relationship with a younger man, proving that it’! s never too late to start over.

Wrestling the Hulk

How many people can say they stood up against wrestler Hulk Hogan and came out victorious? Linda Hogan did just that. After twenty-four years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and! love her life. She has found happiness in a new relationship with a younger man, proving that it’s never too late to start over.

The Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talen! t, and a once-legendary trainer (played by director Dutton) co! axed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff Shannon1/8 x 45-Feet, Diamond Braided Cordage, Multiple Colors
web log free