Minggu, 13 November 2011

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Academy Award(R)-winner Julia Roberts (Best Actress, ERIN BROCKOVICH, 2000), David Duchovny (THE X-FILES), and Blair Underwood (RULES OF ENGAGEMENT) star in another acclaimed triumph from Oscar(R)-winning director Steven Soderbergh (Best Director, TRAFFIC, 2001). It's a chaotic day for seven strangers from Hollywood who end up at the birthday party of a mutual friend. Before the night is over, relationships are tested, hearts are broken, and passions are renewed! Also starring David Hyde Pierce (TV's FRASIER), Catherine Keener (BEING JOHN MALKOVICH), Mary McCormack (K-PAX), and Nicky Katt (INSOMNIA).Director Steven Soderbergh brings a playful spirit and a touch of genius to this oddly gentle Hollywood exposé. Full Frontal follows the lives of several people connected by varying de! grees to the production of Rendez Vous, the film within the film that itself contains a film within a film. This layering and teasing of movie-industry standbys happens throughout: L.A. Law star Blair Underwood plays an actor who plays an actor who is a TV star who is making the jump to the big screen, major stars pop up as bit players playing themselves, and even the opening credits are a sly, dead-on parody of opening credits. The actors are clearly having a terrific time skewering movie insiders and, like any members of a family, are allowed to be both more affectionate and more vicious to each other than outsiders. Standouts in a uniformly marvelous ensemble cast include David Hyde Pierce as one of the screenwriters, and Nicky Katt as an actor doing a truly wretched Hitler. Full Frontal is beautifully written, beautifully performed, and brilliantly realized. --Ali DavisJulia Roberts (Eat Pray Love), David Duchovny (TVs Californication) and Blair Underwood (TV's The ! Event) star in another acclaimed triumph from Academy Award®-winning director Steven Soderbergh (Traffic, 2001). It's a chaotic day for seven strangers from Hollywood who end up at the birthday party of a mutual friend. Before the night is over, relationships are tested, hearts are broken and passions are renewed. Also starring David Hyde Pierce (TV's Frasier) and Catherine Keener (The 40 Year Old Virgin).Director Steven Soderbergh brings a playful spirit and a touch of genius to this oddly gentle Hollywood exposé. Full Frontal follows the lives of several people connected by varying degrees to the production of Rendez Vous, the film within the film that itself contains a film within a film. This layering and teasing of movie-industry standbys happens throughout: L.A. Law star Blair Underwood plays an actor who plays an actor who is a TV star who is making the jump to the big screen, major stars pop up as bit players pl! aying themselves, and even the opening credits are a sly, dead-on parody of opening credits. The actors are clearly having a terrific time skewering movie insiders and, like any members of a family, are allowed to be both more affectionate and more vicious to each other than outsiders. Standouts in a uniformly marvelous ensemble cast include David Hyde Pierce as one of the screenwriters, and Nicky Katt as an actor doing a truly wretched Hitler. Full Frontal is beautifully written, beautifully performed, and brilliantly realized. --Ali DavisIN 2008, as he attempted to enter Canada to film a television series, Harry Hamlinâ€"the former star of L.A. Law and once People magazine’s Sexiest Man Aliveâ€"was detained at the border for unresolved narcotics convictions. And so begins Full Frontal Nudity, a laugh-out-loud-funny memoir in which Harry digs deep into his past to recount the wacky experiences of his childhood, the twisted path that led! to his alleged criminal behavior, and the series of fortuitou! s mishap s that drove him to become an actor.

Harry was reared in suburban California in the late 1950s by a gin-gulping, pill-popping housewife mother and a rocket scientist father with a secret life. On its surface, his childhood was not unlike his peers’, except that he was kicked out of the fourth grade for writing a book report on Mein Kampf and, when he was eleven, his parents gave him a subscription to Playboy for Christmas. Curious by nature, chock-full of boyish charm and good looks, Harry experimented with mystical religion and set off for Woodstock, only to narrowly avoid lighting the whole of Yellowstone National Park on fire. At eighteen, he was ready to matriculate at Berkeley and become the architect he always wanted to be. But fateâ€"this time in the form of a large Hells Angel, a few purple microdots, and an evening in the tree houses of La Hondaâ€"got in the way.

Sharp and bawdy, Full Frontal Nudity spans the years from Harry’s childho! od through his time at Berkeley (which he was asked to leave after he was accused of running a brothel), to Yale, then on an extended vacation in the YucatÁn, and finally to the American Conservatory Theater, where Harry played his first lead roleâ€"as the buck-naked star of Equus.

Full Frontal Nudity is an uproarious memoir that captures an era and describes the unlikely origins of a star.

Feminism isn't dead. It just isn't very cool anymore. Enter Full Frontal Feminism, a book that embodies the forward-looking messages that author Jessica Valenti propagates on her popular website, Feministing.com.

Covering a range of topics, including pop culture, health, reproductive rights, violence, education, relationships, and more, Valenti provides young women a primer on why feminism matters.

Valenti knows better than anyone that young women need a smart-ass book that deals with real-life issues in a style they can relate to. No re! hashing the same old issues. No belaboring where today's young! women h ave gone wrong. Feminism should be something young women feel comfortable with, something they can own. Full Frontal Feminism is sending out the message to readers â€" yeah, you're feminists, and that's actually pretty frigging cool.
Feminism isn't dead. It just isn't very cool anymore. Enter Full Frontal Feminism, a book that embodies the forward-looking messages that author Jessica Valenti propagates on her popular website, Feministing.com.

Covering a range of topics, including pop culture, health, reproductive rights, violence, education, relationships, and more, Valenti provides young women a primer on why feminism matters.

Valenti knows better than anyone that young women need a smart-ass book that deals with real-life issues in a style they can relate to. No rehashing the same old issues. No belaboring where today's young women have gone wrong. Feminism should be something young women feel comfortable with, something they can own. ! Full Frontal Feminism is sending out the message to readers â€" yeah, you're feminists, and that's actually pretty frigging cool.
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House of Sand and Fog

  • Condition: New
  • Format: DVD
  • AC-3; Anamorphic; Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitled; Widesc
Filmed entirely on the magnificent, sandy coast of northern Brazil, Áurea's saga begins in 1910, in Maranhão, where her fanatical husband has relocated his family to start a farm. Desperate and pregnant, Áurea (Fernanda Torres) longs to return to the city, but cannot traverse the dunes with her aging mother, Maria (Fernanda Montenegro) in tow. When calamity strikes, the two women find themselves stranded. Eventually, they settle among the shifting sands and Áurea finds peace. But her passionate daughter, Maria, longs to explore the world beyond the dunes. This profound portrait of passing generations has established Andrucha Waddington as one of the most exciting directors in Brazil today.The landscape looks like the surface of the moon. Set in Br! azil's Maranhão desert, House of Sand follows three generations of women, from 1910 to 1969, as they eke out a living from this hostile environment. Oafish Vasco (director Ruy Guerra) brings pregnant wife Áurea (Fernanda Torres) and her mother, Dona Maria (Fernanda Montenegro, Central Station), from the city to make a new start. Shortly after they arrive, fate takes him out of the picture. Mother and daughter muddle through with the help of slave descendents. Wary at first, Massu (Seu Jorge, City of God) takes a particular shine to the duo. The story then skips ahead to 1919, when an escape route materializes. There will be two more shifts in time. By 1942, Áurea's daughter, Maria (Torres), has grown into impetuous womanhood, while Áurea (Montenegro) and Massu (Luiz Melodia) have settled into middle age. In the final section, set during the year of the first lunar landing, Áurea (Montenegro) is around the same age as her mother at the start of the ! film. With the exception of Camilla Facundes as nine-year-old ! Maria, T orres and her real-life mother assume every female role. What does it all mean? Andrucha Waddington (Me You Them) doesn't burden his enigmatic epic with a singular message, but those who appreciate dust-swept dramas like Woman in the Dunes and Walkabout aren't likely to hold it against him. The point seems to be that the human--especially the female--capacity for survival knows no bounds. --Kathleen C. Fennessy

Stills from House of Sand (click for larger image)



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Academy Award winners Ben Kingsley (Gandhi) and Jennifer Connelly (A Beautiful Mind) deliver stunning performances as two strangers whose conflicting pursuits of the American Dream lead to a fight for their hopes at any cost. What begins as a struggle over a rundown bungalow spirals into a clash that propels everyone involved toward a shocking resolution. "The surprise ending will leave you breathless!" (Clay Smith, Access Hollywood! )Jennifer Connelly followed up her Academy Award for A Beau! tiful Mi nd with this dark but moving story of small mistakes that escalate, with tragic necessity, to disaster. In House of Sand and Fog, Kathy (Connelly) gets evicted from her house for failing to pay a tax she never should have been charged in the first place. The house is swiftly put up for auction and bought by a former military officer from Iran named Behrani (Ben Kingsley, Sexy Beast). When legal efforts fail her, Kathy turns to a sympathetic cop (Ron Eldard, Bastard Out of Carolina), who wants out of a loveless marriage and who's willing to step over legal boundaries if it might give him a fresh start. Topnotch performances by the entire cast make House of Sand and Fog a compelling psychological drama; your sympathies will be pulled in all directions. --Bret Fetzer

Purging Your House, Pruning Your Family Tree: How to rid your home and family of demonic influence and generational oppression

  • ISBN13: 9781616381868
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Do the following questions express what you have feltâ€"or askedâ€"in the past?

  • Does a weeping willow describe your family tree?
  • Do you secretly wish you had been born to a different family?
  • Did you pick up some bad DNA from someone in your lineage?
  • Would you like to put on a new set of genes and make a new you? 
  • Is there a warfare ! going on that you won’t talk about?
  • What are the keys to a happy home and marriage?

 

If so, keep reading! There are two important ways for you to alter your present personal situations and prepare for a great emotional and spiritual futureâ€"by purging your house and pruning your family tree. Purging your house involves removing spiritual, emotional, and mental hindrances from three houses: spiritual, physical, and emotional. The author teaches readers the 3-step process of removing the leprosy (laying aside the weights or sins), rebuilding a fresh foundation (replacing old thoughts with new thoughts), and restoring the house (new friends, relations, directions). Pruning your family tree involves a process called redemptive alteration, which positively impacts your future when the Word of God defeats the sin habits and overcomes the carnal nature through regeneration. The ! author reveals the dangers that can harm or destroy our family! are the same dangers that destroy nature’s treesâ€"storms that place pressure on the branches, drought the destroys the leaves, cold weather that destroys the fruit, and floods that uproot the entire tree.  He teaches us how to evict the enemy by quoting Scripture, experiencing the anointing, rebuking the devil, and having strong faith.


Flashbacks Of A Fool [Blu-ray]

  • FLASHBACKS OF A FOOL BLU-RAY (BLU-RAY DISC)
Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe flashes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man’s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attract! ed to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and even his agent is sick of him, which is somewhat akin to a parasite dissing its host (it’s a measure of writer-director Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the Cali! fornia setting, both of them handsomely photographed by cinema! tographe r John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that is. He discovers that his late pal’s widow is the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)











Flashbacks of a Fool Soundtrack
Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe fla! shes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attracted to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and ev! en his agent is sick of him, which is somewhat akin to a paras! ite diss ing its host (it’s a measure of writer-director Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the California setting, both of them handsomely photographed by cinematographer John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that i! s. He discovers that his late pal’s widow is the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)











Dark City (Director's Cut) [Blu-ray]

  • The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a gri
Ethan Hawke, Uma Thurman, Alan Arkin and Jude Law star in this engrossing sci-fi thriller about an all-too-human man who dares to defy a system obsessed with genetic perfection. Hawke stars as Vincent, an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation. However, a week before his mission, a murder marks Vincent as a suspect. With a relentless investigator in pursuit and the colleague he has fallen ! in love with beginning to suspect his deception, Vincent's dreams steadily unravel.Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "! Valid" (Jude Law), Vincent subverts his society's social and b! iologica l barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and p! rofessional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's perform! ance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological ! barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and pr! ofessional destiny is determined by one's genes. In this socie! ty, "Val ids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff S! hannonEthan Hawke, Uma Thurman, Alan Arkin and Jude Law star in this engrossing sci-fi thriller about an all-too-human man who dares to defy a system obsessed with genetic perfection. Hawke stars as Vincent, an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation. However, a week before his mission, a murder marks Vincent as a suspect. With a relentless investigator in pursuit and the colleague he has fallen in love with beginning to suspect his deception, Vincent's dreams steadily unravel.Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, dep! icts a near-future society in which one's personal and profess! ional de stiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the ! film a note of tragic and heartfelt humanity. --Jeff ShannonConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law! ), Vincent subverts his society's social and biological barrie! rs to pu rsue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonStudio: Sony Pictures Home Ent Release Date: 06/01/2010The Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineers and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit pr! ocess. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format. Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed geneti! cally flawed and subsequently fated to low-level occupations i! n a gene tically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also ! wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the wo! man who loves Vincent and identifies with his struggle, Gat! taca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonStudio: Sony Pictures Home Ent Release Date: 08/05/2008 Run time: 106 minutes Rating: Pg13Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawk! e), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fic! tion films of the 1990s. Writer-director Andrew Niccol, the ta! lented N ew Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With ! Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonThere is No Gene for the Human Spirit.The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife and a mysterious group of pale men who seem to control everything and everyone in the city. Starring Rufus Sewell (The Illusionist), Jennifer Connelly (A Beautiful Mind), William Hurt (A History of Violence) and Kiefer Sutherland (TVs 24! ).If you're a fan of brooding comic-book antiheroes, got a nih! ilistic jolt from The Crow (1994), and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City has precious little heart and soul. One-dimensional characters are no match for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plus sets (partially inspired by! German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon

Shaun of the Dead

  • Zombie Gallery, Uncensored Commmentary, Zomb-o-meter
HOT FUZZ - DVD MovieIn Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Peg! g's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyHere comes the fuzz…with more action and comedy than ever before! This definitive Hot Fuzz Ultimate Edition features non-stop entertainment that delivers heart-pounding thrills and outrageous laughs from the guys! that created Shaun of the Dead!In Shaun of the Dead, i! t was th e zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny ! at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyHOT FUZZ COLLECTOR'S EDITION - DVD MovieIn Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha C! hristie country. His superiors (the comic trifecta of Martin C! ampbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured! than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyGet ready for a gut-busting, outrageous comedy from the guys that created Shaun of the Dead. Nicholas Angel (Simon Pegg) is a big-city cop who can't be stopped - but he's making everyone else on the force look bad. When he is reassigned to a small, quiet town, he struggles with this new, seemingly idyllic world and his bumbling partner (Nick Frost). But their dull existence is interrupted by several grisly and suspicious accidents, and the crime-fighting duo turn up the heat and hand out high-octane, car-chasing, gun-fighting big-city justice in this hilarious hit critics are calling "Outrageous! Uproariously Funny!" (Thelma Adams, US Weekly). Starring: Simon Pegg, Nick Frost, Jim Broadbent, Paddy Considine, Timothy Dalton, Anne Reid, Rafe Spall, Billie Whitelaw, Edward Woodward, Bill Nighy Directe! d by: Edgar WrightIn Shaun of the Dead, it was the zomb! ie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is promoted to sergeant. The catch is that he's being transferred to Agatha Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, A! ngel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-rating with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyStudio: Uni Dist Corp. (mca) Release Date: 06/28/2011 Rating: RThere comes a day in every man’s life when he has to get off the couch...and kill some zombies. When flesh-eating zombies are on the hunt for a bite to eat, it’s up to slacker Shaun (Simon Pegg) and his best pal Ed (Nick Frost) to save their friends and family from becoming the next entrée. Novelist Stephen King gushes Shaun of the Dead is “a 10 on ! the fun meter and destined to be a cult classic” and Newswee! k calls it “a bloody hoot!” It’s a screamingly hilarious zomedy that will have you dying with laughter.British horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some famil! ar faces from The Office. --Bret FetzerGet ready for a gut-busting, outrageous comedy from the guys that created Shaun of the Dead. Nicholas Angel (Simon Pegg) is a big-city cop who can't be stopped - but he's making everyone else on the force look bad. When he is reassigned to a small, quiet town, he struggles with this new, seemingly idyllic world and his bumbling partner (Nick Frost). But their dull existence is interrupted by several grisly and suspicious accidents, and the crime-fighting duo turn up the heat and hand out high-octane, car-chasing, gun-fighting big-city justice in this hilarious hit critics are calling "uproariously funny!" (Thelma Adams, US Weekly).In Shaun of the Dead, it was the zombie movie and the anomie of modern life. In Hot Fuzz, Edgar Wright and Simon Pegg set their sights on the buddy cop blockbuster and the eccentric English village. The two worlds collide when overachieving London officer Nicholas Angel (Pegg) is p! romoted to sergeant. The catch is that he's being transferred ! to Agath a Christie country. His superiors (the comic trifecta of Martin Campbell, Steve Coogan, and Bill Nighy) explain that he's making the rest of the force look bad. On the surface, Sandford is a sleepy little burg where the most egregious crimes, like loitering, are committed by hoody-sporting schoolboys. In truth, it's a hotbed of Willow Man-style evil. Upon his arrival, Chief Butterman (Jim Broadbent) partners Angel with his daft son, Danny (Nick Frost, Pegg's Shaun co-star), who aspires to kick criminal "arse" like the slick duo in Bad Boys II. When random citizens start turning up dead, he gets his chance. With the worshipful Danny at his side, Angel shows his cake-eating colleagues how things are done in the big city. As in Shaun, their previous picture, Wright and Pegg hit their targets more often than not. With the success of that debut comes a bigger budget for car chases, shoot-outs, and fiery explosions. Though Hot Fuzz earns its R-ra! ting with salty language and grisly deaths, the tone is more good-natured than mean-spirited. A wall-to-wall soundtrack of boisterous British favorites, like the Kinks, T-Rex, and Sweet, contributes to the fast-paced fun. --Kathleen C. FennessyIt is only natural to be scared of zombies, and to prevent them from laying waste to your home. A more relaxing approach, however, is to be bored and vaguely annoyed by them, or, better still, not to notice them in the first place. This is the premise of Edgar Wright's British comedy, which may be responsible for kicking off a new and specialized genre of slacker horror. Shaun (Simon Pegg) lives a supremely uneventful life, which revolves around his girlfriend (Kate Ashfield), his mother (Penelope Wilton), and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners. The finale, in which the pub turns into an Alamo, is the bloodiest, mos! t orthodox, and least witty part of the movie; far sharper are! the ear ly scenes in which Shaun wanders happily to the local store along a battered, zombie-dotted street and pulps his attackers with a cricket bat. The central joke is so snappy and well sustained that you barely catch sight of the ominous vision on offer: a country that already feels like death. -Anthony Lane
Copyright © 2006 The New YorkerBritish horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie ! movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The Office. --Bret Fetzer

Skechers for Work Men's Harvard Oxford,Black,9.5 M

  • Men's Skechers, Scholars Slip resist
  • Work smarter in the SKECHERS Work Scholars-Harvard oxford.
  • Polished leather upper in a uniform-ready casual oxford with lace up front
  • Padded collar, cushioned insole.
  • Mark II ASTM F1677 rated slip resistant outsole.
This innovative drama from writer and director James Toback (BUGSY, BLACK AND WHITE) follows the travails of Alan Jensen (Adrian Grenier), a Harvard student determined to live life to the fullest and find the ultimate truth. He gets high regularly, and is sleeping with Holy Cross cheerleader Cindy Bandolini (Sarah Michelle Gellar), who also happens to be a mobster's daughter. Simultaneously, Alan is carrying on an illicit affair with his philosophy professor, Chesney Cort (Joey Lauren Adams), a woman with a vast sexual appetite. When his parents lose their Kansas home in a tornado, Alan is desperate to help them ! financially. He turns to Cindy's father for a loan and is soon entrenched in a high-stakes gambling scheme. But all is not as it seems and Alan soon finds himself in over his head with many aspects of his life: his drug use, the women in his life, and even the FBI. Grenier is endearing as the truth-seeking Alan, and as a tough-talking Mafia princess, Gellar steps far away from her television persona as Buffy the Vampire Slayer. Eric Stoltz and Rebecca Gayheart lend their talents in supporting roles that add to the film’s twisting storyline.THE HARVARD MAN - He is brilliant, possessing intelligence most would classify as genius, and he has always believed he was destined for Harvard University. However, there is a flaw. He is also mentally unstable, a psychopath with violent tendencies. Harvard has rejected his application! Now, he is determined to exact revenge in sweeping strokes of violence that will display his brilliance and bring America’s most prestigious univers! ity to its academic knees. If he can’t have Harvard, no one ! can!THE HARVARD MAN - He is brilliant, possessing intelligence most would classify as genius, and he has always believed he was destined for Harvard University. However, there is a flaw. He is also mentally unstable, a psychopath with violent tendencies. Harvard has rejected his application! Now, he is determined to exact revenge in sweeping strokes of violence that will display his brilliance and bring America’s most prestigious university to its academic knees. If he can’t have Harvard, no one can!Harvard's star basketball player, Alan, is pushing his luck. He must hide one girlfriend, Cindy, the daughter of a mob boss, from his other girlfriend, Chesney, his promiscuous Philosophy professor. Alan's escapades finally catch up with him when his family faces dire financial difficulty. To remedy the situation, Alan asks Cindy to approach her mobster father for a loan. He offers the money on one condition: throw the next game. While Alan contemplates the idea, he must juggle two g! irlfriends, deal with the mob, and face the FBI.Get the slip resistance you need at work in Skechers Work Men's Harvard Oxford Shoes Lace up this plain-toe oxford, featuring a leather upper with a padded collar that feels soft on your feet for a comfortable fit. The slip-resistant outsole is designed to help you stay steady on your feet, even in slippery workplace conditions.

PURELL Sanitizing Hand Wipes Individually Wrapped 100-ct. Box

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