Charlie's Angels [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

This five-disc compilation features the entire First Season with the original Angels Farrah Fawcett, Kate Jackson and Jaclyn Smith and all their adventures from one of the most classic shows in television history.

Once upon a time, Jill, Sabrina and Kelly were police officers whose skills were being wasted in menial duties such as answering phones and filing. A mysterious millionaire named Charles Townsend took them away from all that by opening his own private investigation agency and hiring these gorgeous ladies as his operatives with John Bosley acting as their assistant and liaison. America's guiltiest pleasure of 1976--the inaugural season of Charlie's Angels--has returned in all its jiggly, jolly glory in this tidy boxed set. It's hard to describe just how captivated the nation's! media and viewing public were with cheesemeister Aaron Spelling's ABC-TV hit, but for awhile Charlie's Angels was wildly popular appointment television at its most self-consciously banal. The first season's three (and best-remembered) belles--lioness Farrah Fawcett (then Farrah Fawcett-Majors), pin-up babe Jaclyn Smith, and Thinking Man's beauty Kate Jackson--were something like primetime Spice Girls, gracing countless magazine covers and bestselling posters. The idea (even if a fan of the show didn't happen to be a straight male) was that one was compelled to choose a favorite angel as a kind of ink-blot window onto one's subconscious life.

While the 2000 Angels feature film (starring Cameron Diaz, etc.) kept faith with the original show's self-mockingly sloppy storytelling, there's nothing like seeing the old episodes for a lesson in narrative hubris. Basically, the three leading characters were bored policewomen wooed away to a private firm owned and ! operated by the unseen sybarite, Charlie (voiced--over speaker! phone--b y an uncredited John Forsythe). After a long set-up each week, the girls' investigations typically saw them going undercover: as fashion models--no great stretch--in "Night of the Strangler"; nurses in "Terror on Ward One"; roller-derby stars in "Angels on Wheels"; and vulnerable convicts (of course) in "Angels In Chains." The exploitation factor is not as bad as it might have been. The cast was so glamorous, their chemistry so perfect, Charlie's Angels never became a mere meat market. Despite such nods to modernity as Fawcett's no-bra look, the episodes were old-fashioned in their heroine-in-peril appeal, yet there was a difference: The Angels looked out for themselves and each other. --Tom KeoghAdventure has never been more beautiful than Charlie's Angels! Cameron Diaz, Drew Barrymore and Lucy Liu star as the captivating crime-fighting trio who are masters of disguise, espionage and martial arts. When a devious mastermind embroils them in a plot to destroy in! dividual privacy, the Angels are on the spot with their brains, brawn and high-tech toys. Aided by their loyal sidekick Bosley (Bill Murray), the girls are about to bring down the bad guys when a terrible secret is revealed that makes the Angels a target of assassination. Now, it's a matter of life or death as the stunningly smart detectives use their state-of-the-art skills to kick evil's butt in this sexy, high-octane comedy!For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daff! y Bosley (Bill Murray in a casting coup) in tow. A happy, corn! ball pop corn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug ThomasAnother season of the hit classic series comes to DVD! This season, the A! ngels go on the Love Boat to investigate a major art theft, go back to college to stop a white slavery ring, and find more than just fingerprints when Charlie's yacht is stolen. Jill gets help from the Angels after her date with a crown prince is interrupted by sniper fire, and Kelly meets a man who may be her long-lost father.Millionaire Charles Townsend starts up his own private investigation firm and hires three female police officers as his investigators.
Genre: Television
Rating: NR
Release Date: 4-JUL-2006
Media Type: DVDThey're back, they're beautiful, and they mean business--but in a sweet way. Charlie's Angels: The Complete Third Season finds Kris Munroe (Cheryl Ladd), sister of departed Angel Jill Munroe (Farrah Fawcett), well ensconced in the Charles Townsend Investigation agency. Jill, however, isn't entirely absent from the scene: Fawcett turns up in at least three episodes, not quite ready to shake her old job des! pite the lure of car racing and a handsome beau (Stephen Colli! ns). But enough about her: the current incarnation of Charlie's team kicks off the season with a two-part mystery set in Las Vegas. Dean Martin plays a maverick casino owner who believes he's being "gaslighted," i.e., made the target of psychological harassment by an unknown enemy. Trouble is, some of his employees and friends are getting hurt and even killed by this same assailant. The girls, including brainy Sabrina Duncan (Kate Jackson) and streetwise Kelly Garrett (Jaclyn Smith), plus mirthful supervisor Bosley (David Doyle), go undercover to root out a plot to ruin Martin's character. (Sure, Dino romances one of them: Sabrina.)

The rest of the season follows the usual Charlie's Angels formula of relying on the cast's appealing personalities and substantive, anti-bimbo characters, while also getting them (well, not Jackson so much) in various states of undress as quickly as possible. An accent on stories requiring the wearing of leotards and showgirl costumes certainl! y helps the cause, but there are plenty of non-exploitational episodes as well. Among the best programs is "Angel Come Home," in which Jill arrives at Charlie's by surprise after receiving a phony emergency cable in Europe from someone claiming to be Kris. Eager to investigate, Jill soon hooks up with an old friend (Horst Buchholz) developing a new car engine targeted by enemies. "Angels in Springtime" capitalizes on a creepy suggestion of lesbian incarcerators running an expensive spa for women. "Haunted Angels" is a spooky tale of a young man's demanding spirit being channeled, from beyond the grave, through a terrified woman. It could be real or it could be a scam; only the Angels can find out. "Counterfeit Angels" finds a trio of bank robbers claiming to be Kris, Kelly, and Sabrina; the girls fight for their innocence. Finally, a great episode from its era (1979), "Disco Angels," gets the ladies exactly where they belong: on a dance floor. --Tom KeoghThe Angels c! ontinue to fight the bad guys, with Jill’s little sister Kri! s taking her place and Charlie's voice guiding them all. Stars Jaclyn Smith, Kate Jackson and introducing Cheryl Lad. Includes all 26 episodes from the second season.Charlie's Angels: The Complete Second Season has no shortage of the good-natured cheese and eye candy that made the primetime television show's debut season wildly popular in 1976. The Angels had a new look in their second year: Farrah Fawcett, arguably the most popular of the show's three actresses, departed before the sophomore season and was replaced by another blonde dazzler, Cheryl Ladd. (Ladd's character, Kris Munroe, was the younger sister of Fawcett's Jill Munroe, whose exit is explained in the premiere episode as a liberated woman's career move: Jill has decided to race cars in Spain.)

No sooner does Kris settle in than a crisis sweeps through off-screen Charlie's private investigation agency. While cavorting on Oahu in the two-part "Angels in Paradise," Charlie is kidnapped by a smuggler (France Nuy! en), who demands the Angels break her husband out of jail in exchange for their boss's life. Bubbly Kris, brainy Sabrina Duncan (Kate Jackson), beauteous Kelly Garrett (Jaclyn Smith), and sidekick Bosley (David Doyle) are compelled to soak up rays and sip fruity mixed drinks in Waikiki while fighting crime in various guises, re-establishing, for another season, Charlie's Angels' dramatic and aesthetic game plan for every episode: start slow with lots of idle chatter, put the girls in a ridiculous undercover situation, and get them out of their clothes as much as possible.

The pattern continues in the silly "Angels on Ice," starring old hands Phil Silvers and Jim Backus, in which our heroines join an ice show to find out who kidnapped a pair of skaters. "Pretty Angels All in a Row" finds Kelly and Kris reluctant entrants in a "Miss Chrysanthemum Pageant" (no, you won't find Kate Jackson in a swimsuit this year, either) rigged by organized crime. "Circus of Terror! ," co-starring James Darren, enlists the Angels in the carney ! life. If there is anything to complain about regarding season 2, it is that the novelty of Charlie's Angels has worn a little thin, and every episode feels the same. Still, there are surprises: "The Sammy Davis Jr. Kidnap Caper" stars the late rat-packer in peril and much bemused by the presence of three comely bodyguards. --Tom KeoghThree beautiful private detectives who work for a suave playboy boss are called in to rescue soon-to-be billionaire software mogul Eric Knox, when he is kidnapped from his office at Knox Technologies. While rough-and-tumble Alex, wild-child Dylan, and nerdy Natalie use an impressive array of high-tech gadgetry and martial arts moves to retrieve Knox from the clutches of rival Roger Corwin and his goons, they unwittingly become embroiled in a battle to protect the world from a wide-scale invasion of privacy that threatens to occur when good technology falls into the hands of bad people.For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong! Kong-style action flick. Plenty of movies boast a New Age fem! inism th at has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug Thomas

USB Sync and Charging Cable Compatible with Apple iPhone (White)

• One Year Warranty, 7 Days Unconditional Return Period
• Same day shipping( Payment before 3:00PM, PST)
• For Apple iPhone, iPod Sync data or charging

Alton Brown is a foodie phenomenon: a great cook, a very funny guy, and—underneath it all—a science geek who’s as interested in the chemistry of cooking as he is in eating. (Well, almost.) Here, finally, are the books that Brown’s legion of fans have been salivating for—two volumes that together will provide an unexpurgated record of his long-running, award-winning Food Network TV series, Good Eats. 

 

From Â"Pork Fiction” (on baby back ribs), to Â"Citizen Cane” (on caramel sauce), to Â"Oat Cuisine” (on oatmeal), every hilarious episode is represented. Each book—the second will be published in fall 2010—is illustrated with behind-the-scenes photos taken on the Good Eats set. Each contains more than 140 recipes and more than 1,000 photographs and illustrations, along with explanations of techniques, lots of food-science information (of course!), and more food puns, food jokes, and food trivia than you can shake a wooden spoon at.

Good Eats 2: The Middle Years picks up where the bestselling Good Eats: The Early Years left off. Showcasing everything Alton Brown fans (and they are legion!) have ever wanted to know about his award-winning television show, The Middle Years is chock-full of behind-the-scenes photographs and trivia, science-of-food information, cooking tips, andâ€"of courseâ€"recipes.

 

Brown’s particular genius! lies in teaching the chemistry of cooking with levity and exuberance. In episodes such as “Fit to Be Tied” (meat roulades), “Crustacean Nation” (crab), and “Ill-Gotten Grains” (wheat products), Brown explains everything from how to make the perfect omelet to how to stuff your own sausages. With hundreds of entertaining photographs, along with Brown’s inimitable line drawings and signature witty writing, this comprehensive companion book conveys the same wildly creative spirit as the show itself.
The writer with a claim to being the world’s foremost literary escape artist is back, with an intoxicating novel about the business and pleasure of wine, set in his beloved Provence. Max Skinner has recently lost his job at a London financial firm and just as recently learned that he has inherited his late uncle’s vineyard in Provence. On arrival he finds the climate delicious, the food even better, and two of the locals ravishing. Unfortunately, the wine produced! on his new property is swill. Why then are so many people interested in it? Enter a beguiling Californian who knows more about wine than Max doesâ€"and may have a better claim to the estate. Fizzy with intrigue, bursting with local color and savor, A Good Year is Mayle at his most entertaining.

As Good Eats enjoys its 14th season on the Food Network, its popularity continues unabated. Fans can’t get enough of Alton Brown’s wildly inventive, science-geeky, food-loving spirit. It’s no wonder, then, that the first two volumes in STC’s Good Eats series were New York Times bestsellers.

Like Volumes 1 and 2, Good Eats 3: The Later Years packs a bounty of information and entertainment between its covers. More than 200 recipes are accompanied by hundreds of photographs, drawings, and stills from the show, as well as lots of science-of-food facts, cooking tips, food trivia, behind-the-scenes glimpsesâ€"and bonus sock puppet instructions! ! In chapters devoted to everything from pomegranates to pretz! els, min cemeat to molasses, Alton delivers delicious recipes along with fascinating background in a book that’s as fun to read as it is to cook from. Good Eats 3 will be a must-have addition to the bookshelves and kitchen counters of Alton lovers everywhere.

Praise for Good Eats 3: The Later Years:

“A victory lap” 
â€"Chicago Tribune

“The hefty book is filled with health information and tips on how to become a better home cook, all told in the breezy style that made Alton Brown’s show so accessible and fun. Plus there is a pattern and stickers for making sock puppets. She was wonderful, but Julia Child never taught you how to make a sock puppet, did she?”
 â€"Oregonian

“Alton’s cookbooks are non-traditional to say the least. In addition to great recipes, they’re loaded with humor, science, and great tips on selecting ingredients.”
â€"! Northeast Flavor magazine

“Much like Good Eats the show, the book can carry many labelsâ€"or, more to the point, defy labels altogether.”
â€"The Record

“His best yet.” â€"LAWeekly.com

Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.

“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the story of a young ! man who bears a striking resemblance to a dictator and so find! s a call ing to immortality. In “The Princess of Nebraska,” a man and a woman who were both in love with a young actor in China meet again in America and try to reconcile the lost love with their new lives.

“After a Life” illuminates the vagaries of marriage, parenthood, and gender, unfolding the story of a couple who keep a daughter hidden from the world. And in “A Thousand Years of Good Prayers,” in which a man visits America for the first time to see his recently divorced daughter, only to discover that all is not as it seems, Li boldly explores the effects of communism on language, faith, and an entire people, underlining transformation in its many meanings and incarnations.

These and other daring stories form a mesmerizing tapestry of revelatory fiction by an unforgettable writer.


From the Hardcover edition.Brand New!!!

Death Race (Unrated Edition)

• TESTED

DVDMayhem rules in Death Race, a head-over-heels remake of the Roger Corman cult classic Death Race 2000, in which cars become lethal weapons. The strength of this new version is its total single-mindedness about vehicular homicide; it has the virtue of no cluttering subplots or simpering sentimentality. And banish all memory of the original's wild satirical comedy: Death Race is as grim as a dinner tray to the face (a reference that will be explained in a key sequence). In a slightly futuristic maximum-security prison, cons take part in brutal races around the island prison, their violent deaths watched live by millions of viewers. Jason Statham, possibly cast because of his driving dexterity in the Transporter movies, plays a man wrongly imprisoned for murder. Joan Allen provides her brittle cool as the warden, who recruits Statham to assume the ma! sked persona of a legendary driver called Frankenstein. Tyrese Gibson is Frankie's main rival, Natalie Martinez provides the fetching eye candy, but the acting honors go to Ian McShane, as the philosophical prison mechanic. One misses the cross-country race from the original film, as the setting here is claustrophobic and the cars are largely colorless and indistinguishable from each other. Director Paul W.S. Anderson (Resident Evil) continues to display the sensibility of a video-game addict, which will either be a recommendation or a turn-off, depending on your own tastes. At least it doesn't have the hypocritical moral blathering of something like the somewhat similar Condemned--who knew you could be so grateful for simple, straight-forward head-bashing? --Robert Horton


Stills from Death Race (Click for larger image)

As Good as Dead (Angel Delaney Mystery Series #3)

• Softcover Book

The victims are all found face-down in the murky waters of the creek that runs through Cherokee Pointe, Tennessee. They are naked, except for the black satin ribbon tied around their necks. And each murdered woman shares a single characteristic...they are all redheads. Socialite Reve Sorrell has come to Cherokee Pointe seeking answers about her family history and her shocking connection to wrong-side-of-the tracks Jazzy Talbot. With their stunning good looks and shining red hair, the two are mirror images of each other-twins abandoned at birth and raised in very different worlds. And whoever left them for dead on a cold night thirty years ago isn't about to let them uncover the truth now. As a serial killer leaves another chilling calling card in the foothills of the Smoky Mountains, Reye turns to Sheriff Jacob Butler to help her unravel the potentially deadly secrets of her pa! st. But someone will do anything to stop her...someone who won't make the same mistake twice...someone more cunning than she knows...and closer than she ever could imagine.What She Doesn't Know. . .

The victims are all found face-down in the murky waters of the creek that runs through Cherokee Pointe, Tennessee. They are naked, except for the black satin ribbon tied around their necks. And each murdered woman shares a single characteristic. . .they are all redheads. . .

Just Might. . .

Socialite Reve Sorrell has come to Cherokee Pointe seeking answers about her family history and her shocking connection to wrong-side-of-the-tracks Jazzy Talbot. With their stunning good looks and shining red hair, the two are mirror images of each other--twins abandoned at birth and raised in very different worlds. And whoever left them for dead on a cold night thirty years ago isn't about to let them uncover the truth now. . .

Kill Her

As a serial killer leaves ano! ther chi lling calling card in the foothills of the Smoky Mountains, Reve turns to Sheriff Jacob Butler to help her unravel the potentially deadly secrets of her past. But someone will do anything to stop her. . .someone who won't make the same mistake twice. . .someone more cunning than she knows. . .and closer than she ever could imagine. . .

"Fast. . .edgy. . .sexy. . .I loved The Fifth Victim!" --Linda Howard, New York Times bestselling author

"Smart, sexy, and scary as hell. Beverly Barton just keeps getting better and better." --Lisa Jackson, New York Times bestselling author on The Fifth Victim

What She Doesn't Know. . .

The victims are all found face-down in the murky waters of the creek that runs through Cherokee Pointe, Tennessee. They are naked, except for the black satin ribbon tied around their necks. And each murdered woman shares a single characteristic. . .they are all redheads. . .

Just M! ight. . .

Socialite Reve Sorrell has come to Cherokee Pointe seeking answers about her family history and her shocking connection to wrong-side-of-the-tracks Jazzy Talbot. With their stunning good looks and shining red hair, the two are mirror images of each other--twins abandoned at birth and raised in very different worlds. And whoever left them for dead on a cold night thirty years ago isn't about to let them uncover the truth now. . .

Kill Her

As a serial killer leaves another chilling calling card in the foothills of the Smoky Mountains, Reve turns to Sheriff Jacob Butler to help her unravel the potentially deadly secrets of her past. But someone will do anything to stop her. . .someone who won't make the same mistake twice. . .someone more cunning than she knows. . .and closer than she ever could imagine. . .

"Fast. . .edgy. . .sexy. . .I loved The Fifth Victim!" --Linda Howard, New York Times bestsellin! g author

"Smart, sexy, and scary as hell. Beverly Barton j! ust keep s getting better and better." --Lisa Jackson, New York Times bestselling author on The Fifth Victim

What begins as an average day for ethan takes a dangerous turn when hes kidnapped & held hostage in his apartment. The home invaders arent looking to rob him: instead they are looking to avenge the death of a right-wing cult leader. But the more they interrogate him the more they doubt hes the killer. Studio: Millenium Media Services Release Date: 10/12/2010 Starring: Andie Macdowell Frank Whaley Run time: 91 minutes Rating: RThe Hostage. Police officer Helen Weeks walks into her local newsagent's on her way to work. Little does she know that this simple daily ritual will change her life forever. It's the last place she expects to be met with violence, but as she waits innocently at the till, she comes face to face with a gunman. The Demand. The crazed hostage-taker is desperate to know what really happened to his beloved son, who died a year before in yo! uth custody. By holding a police officer at gunpoint, he will force the one man who knows more about the case than any other to re-investigate his son's death. That man is DI Tom Thorne. The Twist. While Helen fights to stay alive and the body-count rises,Thorne must race against time if he is to bring a killer to justice and save a young mother's life.Softcover Book

Flawless

• From director Michael Radford (THE MERCHANT OF VENICE, IL POSTINO) comes FLAWLESS, a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn, a bright, driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment, as man after man is promoted ahead of her despite her greater expe

A former medical detective for the Centers for Disease Control, Dr. Nate McCormick had seen enough suffering to last a lifetime. Now he’s left the CDC, determined to begin a new life with his girlfriend in San Francisco…until the vicious murder of a biotech researcherâ€"an old friendâ€"hurtles him back into the medical world he’d left behind. While the police hunt for a killer, Nate starts sifting through evidence, determined to find what his friend did to provoke his brutal death. And the tru! th he ultimately discovers far exceeds the very worst he had imagined.

As a circle of treachery tightens around Nate, and the woman he loves is thrust into the line of fire, patients surface with agonizing stories to tell. Nate is about to make the most startling discovery of all: a secret alliance between crime, science, and a billion-dollar industry determined to hide its victims at any price. For Nate, that price will be the one person most important to himâ€"unless he can expose the flaw in a perfect conspiracy of medicine and murder.

From shocking evidence revealed under a microscope to the shattering testimony of those betrayed by the ruthlessness of the medical industry, Flawless takes us on a terrifying, adrenaline-charged journey. Taut, thrilling, and relentless, it will leave you pondering its questions long after the last page is turned.


From the Hardcover edition.From director Michael Radford (THE MERCHANT OF VENICE IL POST! INO) comes FLAWLESS a clever diamond-heist thriller set in swi! nging 19 60s London. Demi Moore plays Laura Quinn a bright driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment as man after man is promoted ahead of her despite her greater experience. Michael Caine is Hobbs the nighttime janitor at London Diamond who is virtually invisible to the executives that work there but over the years has amassed a startling amount of knowledge about how the company runs. Hobbs has his own bone to pick with London Diamond. Observing Laura s frustration he convinces her to help him execute an ingenious plan to steal a hefty sum in diamonds. But unbeknownst to Laura Hobbs plans go even farther than he s let on and together they set in motion a thrilling heist of dizzying proportions the likes of which London has never seen.System Requirements:Running Time: 109 mintuesFormat: DVD MOVIE Genre: DRAMA/PSYCHOLOGICAL DRAMA Rating: PG-13 UPC: 876964001038 Manufacturer No! : 10103It would be overpraise to propose that Flawless reviews itself with its title, but... how about "supremely decorous"? It is, at any rate, a film that merits a grateful salute from audiences weary of being beaten about the head and shoulders in pursuit of an engrossing caper movie. A plot to make off with a fortune in gems from England's premier diamond company unfolds without explosions, vrooming vehicles, or rapid-fire shootouts. It's like a feature-length variation on those sly, soft-spoken Alfred Hitchcock Presents episodes of the '50s, with the patient accumulation of mood, detail and character leading to wry twists and satisfying revelations. We are in 1960 and a London not yet disposed to swing. Laura Quinn (Demi Moore), the lone female officer of London Diamond Corporation, is smarter and more capable than her male colleagues, but that doesn't deter the company from promoting them over her while profiting from her talents. This has long since go! tten old, so when Mr. Hobbs (Michael Caine), the mild-mannered! night j anitor, enlists her in a scheme to fill his thermos with two million pounds' worth of diamonds from the vault, she listens. Suffice it to say that the vault is penetrated according to plan--and then the real tension sets in. Things are not what they seem, even to those supposedly in the know (us, for instance), and distrust springs up between the conspirators as they find themselves under close scrutiny by a steely investigator (Lambert Wilson).

All this is intelligently scripted by Edward A. Anderson (a maiden effort) and directed by Michael Radford with a crisp, unostentatious eye; the cold interiors of the Lon Di headquarters, generically oppressive on first sight, take on a nuanced familiarity as the place where, for the most part, Laura Quinn spends her life. Demi Moore--scarlet lips in a black-and-grey world--admirably catches Laura's not-quite-smothered ambition and frustration without breaking her cover, as it were. Michael Caine couldn't be better as Hobbs, an i! nvisible man in plain sight (how many viewers fail to notice his first appearance in the film?); he's the master of his trade, but you knew that. There's a framing story, set more or less in the present, which seems to be an obligatory bow to feminism but sets up a tease or two of its own, then adds yet another twist to the proceedings. --Richard T. Jameson

Xigmatek Dark Knight S1283V Black Nickel CPU Cooler with 120mm Rifle Bearing

• H.D.T. (Heat-pipe direct touch) technology
• Back plate and Spring screw to prevent M/B bended
• 3pcs ?8mm high performance U type heat-pipes.
• Overall black nickel heatsink
• Dark Knight-S1283V combines 120mm PWM fan, anti-vibration rubber, 3pcs ?8 heat-pipe and 3 in 1 application of Intel/AMD CPU.

This black T-shirt features a large front screen of teaser artwork for the upcoming film The Dark Knight Rises. Comes with a FREE Dark Knight Rises poster, while supplies last!This black T-shirt features a large front screen of teaser artwork for the upcoming film The Dark Knight Rises.Comes with a FREE Dark Knight Rises poster, while supplies last!Dark Knight-S1283V retains the brilliant record of HDT-S1283 family - powerful, outstanding, high performing and user friendly. The Black Nickel creates a very gentle and noble image, which also increases cooling performance. Li! ke other H.D.T. series coolers, it comes with the advantage of light weight, easy installation, anti-vibration, performance and user friendly.

Highwaymen

• Original Release CD

Here are 36 highlights from all three albums by country's greatest supergroup! Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson unite for the hits Highwayman; Desperados Waiting for a Train , and Silver Stallion ; inspired spins on Take It to the Limit; Sunday Morning Coming Down; Luckenbach, Texas; Me and Bobby McGee; Mammas Don't Let Your Babies Grow Up to Be Cowboys; Are You Sure Hank Done It This Way , and more.The myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. There's little bravado here, just a sense of ticking time, of frontiers lost, cowboys singing their last songs. In the end, Highwayman works because it fuses mythic, serious material with the artists' own legendary personas and wel! l-aged voices. Lesser lights would be lucky to muddle through Jimmy Webb's epic title track; these four cagey desperados make every fantastic image believable. If Chips Moman surrounds them with less than subtle layers of guitars, keyboards, and drums, he does update vintage progressive country in a suitably cosmic but rugged fashion. Romantic legends and production values notwithstanding, it's the tough, wise singing here that's the real draw. --Roy Kasten A man sets out to avenge the death of his wife by tracking down her murderer - a serial killer who hunts and kills women using his '72 El Dorado.

DVD Features:
Other:DTS Sound Widescreen (2.35.1) and Fullscreen versions available on one disc
Theatrical Trailer

Willie Nelson, Waylon Jennings, Kris Kristofferson and Johnny Cash are icons, legends and outlaws of country music, When they untied they became the super group the Highwaymen, a concept that allowed 4 lifelong friends the! chance to sing, work and tour together. This 10th anniversary! that wa s produced by Don Was will feature a never before heard song, 'If He Came Back Again' and five unreleased demo's. Capitol. 2005.Don Was, the producer who transformed Bonnie Raitt from cult hero to pop star, tried to jump-start the stalled careers of Willie Nelson and Waylon Jennings by producing their recent albums, Across the Borderline and Waymore's Blues (Part II), respectively. This resulted in two artistic triumphs but no hits. That didn't deter Nelson and Jennings from hiring Was to produce their album with Johnny Cash and Kris Kristofferson as the Highwaymen. The Road Goes on Forever is easily the best of the three Highwaymen albums, even if changing radio tastes will probably doom it to the poorest sales of the three. The two earlier releases, 1985's Highwaymen and 1990's Highwaymen 2, were thrown together as if the sheer star power of the four singers could carry the project. Both albums had their exciting moments when everything c! licked but both also had a lot of filler. By contrast, Was approached the new recording as if every song and every arrangement had to be good enough to be a single. He picked one obscure but terrific composition from each of the four singers and supplemented them with equally strong material from four of Texas's best songwriters--Steve Earle, Billy Joe Shaver, Robert Earl Keen Jr., and Stephen Bruton. Nelson's harmonica ace Mickey Raphael and Kristofferson's singing buddy Billy Swan are joined by top L.A. session pros like keyboardist Benmont Tench and drummer Kenny Aronoff to create a sound that has the twangy picking of old-fashioned country and the fat bottom of modern pop. The result is an album with everything: first-rate material, grade-A playing, and inimitable singing. The thread that ties Nelson, Jennings, Cash, and Kristofferson together is the crustiness of their voices (a honey-voiced singer like George Jones or Don Gibson would seem out of place in this crowd);! when they sing Shaver's "(I'm Going To) Live Forever," they s! ound as if they're more than halfway there. The Highwaymen are so naturally hard-bitten and world-weary that they can slip a little sentiment into a song without spoiling it. They use this to great advantage on the album's two great outlaw songs, Earle's "The Devil's Right Hand" and Keen's title tune; the gruff tales of violence lead up to a sobering admission of the price paid for such a life. That same gruffness allows the Highwaymen to sing two religious meditations, Jennings's "I Do Believe" and Cash's "Death and Hell," without once sounding sanctimonious. --Geoffrey HimesThe myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. There's little bravado here, just a sense of ticking time, of frontiers lost, cowboys singing their last songs. In the end, Highwayman works because it fuses mythic, serious material with th! e artists' own legendary personas and well-aged voices. Lesser lights would be lucky to muddle through Jimmy Webb's epic title track; these four cagey desperados make every fantastic image believable. If Chips Moman surrounds them with less than subtle layers of guitars, keyboards, and drums, he does update vintage progressive country in a suitably cosmic but rugged fashion. Romantic legends and production values notwithstanding, it's the tough, wise singing here that's the real draw. --Roy Kasten

Fright Night (Two-Disc Blu-ray/DVD Combo)

• Blu-ray Disc Only
• Never Used
• Comes in Jewel Case

Senior Charley Brewster (Anton Yelchin) finally has it all.  He's running with the cool kids and dating the hottest girl in high school (Imogen Poots). But all hell breaks loose when charming Jerry Dandridge (Colin Farrell) moves in next door.  Charley thinks there's something odd about him, although no one - including his mom (Toni Collette) - seems to notice.  But after too many of his classmates vanish under bizarre circumstances, Charley comes to an unmistakable conclusion:  Jerry is a vampire preying on his neighborhood!  Get set to sink your teeth into this thrilling, modern-day re-vamp of the wickedly entertaining horror classic.  Featuring a star-studded cast and crawling with bonus, Fright Night will captivate you from the very first bite!Arriving amid a flurry of dopey sequels and dudes with power tools, 1985's Fright Night came as a welcome blast of fetid air for the horror genre: an affectionate spoof of classic monster movies that also managed to deliver some genuine scares, as well as a pair of top-notch performances by Chris Sarandon and Roddy McDowall. The 2011 revamp (apologies for the pun) can't boast the same novelty factor, but it does a surprisingly good job at speaking for itself, just the same. Director Craig Gillespie's film follows the same basic blueprint as the original--high-school kid (Anton Yelchin) suspects that his next-door neighbor (Colin Farrell) may be a Creature of the Night, enlists celebrity (David Tennant) for help--but with a number of smart alterations, particularly the decision to move the setting to the desolate outskirts of Vegas, where unexplained disappearances and nocturnal lifestyles are par for the course. (Kudos to cinematographer Javier Aguirresarobe, who gives the nighttime scenes a musty, tangible vibe.) Writer Marti Noxon, a Bu! ffy vet, keeps the dialogue light, while also delivering s! ome shar p insights about the state of today's Twilight-savvy teen. (In perhaps the biggest switch from the original, the barely veiled gay subtext has been replaced with a cautionary tale about outgrowing your friends.) On the debit side, Gillespie and Co. can't always replicate their source material's atomic-clock timing, with a few promising scares undone by miscued comic relief. Still, a horror movie ultimately lives or dies by its villain, and Farrell delivers a beaut, as a hilariously type-A vampire who'd rather chug a beer than pose languorously. At a time when the undead are notable mainly for their romanticism and supernatural hair-care prowess, Fright Night does its best to bring the fangs back into the equation. --Andrew WrightA teenager suspects that his new neighbor is a vampire. Studio: Buena Vista Home Video Release Date: 12/13/2011 Starring: Anton Yelchin Colin Farrell Run time: 106 minutes Rating: R Director: Craig GillespieArriving amid a ! flurry of dopey sequels and dudes with power tools, 1985's Fright Night came as a welcome blast of fetid air for the horror genre: an affectionate spoof of classic monster movies that also managed to deliver some genuine scares, as well as a pair of top-notch performances by Chris Sarandon and Roddy McDowall. The 2011 revamp (apologies for the pun) can't boast the same novelty factor, but it does a surprisingly good job at speaking for itself, just the same. Director Craig Gillespie's film follows the same basic blueprint as the original--high-school kid (Anton Yelchin) suspects that his next-door neighbor (Colin Farrell) may be a Creature of the Night, enlists celebrity (David Tennant) for help--but with a number of smart alterations, particularly the decision to move the setting to the desolate outskirts of Vegas, where unexplained disappearances and nocturnal lifestyles are par for the course. (Kudos to cinematographer Javier Aguirresarobe, who gives the nighttime! scenes a musty, tangible vibe.) Writer Marti Noxon, a Buff! y ve t, keeps the dialogue light, while also delivering some sharp insights about the state of today's Twilight-savvy teen. (In perhaps the biggest switch from the original, the barely veiled gay subtext has been replaced with a cautionary tale about outgrowing your friends.) On the debit side, Gillespie and Co. can't always replicate their source material's atomic-clock timing, with a few promising scares undone by miscued comic relief. Still, a horror movie ultimately lives or dies by its villain, and Farrell delivers a beaut, as a hilariously type-A vampire who'd rather chug a beer than pose languorously. At a time when the undead are notable mainly for their romanticism and supernatural hair-care prowess, Fright Night does its best to bring the fangs back into the equation. --Andrew Wright