Blast From the Past
- BLAST FROM THE PAST (DVD MOVIE)
What interferes with Will's career arc, of course, is reality--in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame, and unfettered clea! r sight. As fans of Fever Pitch and High Fidelity! i> alrea dy know, Hornby's insight into laddishness magically combines the serious and the hilarious. About a Boy continues his singular examination of masculine wish-fulfillment and fear. This time, though, the author lets women and children onto the playing field, forcing his feckless hero to leap over an entirely new--and entirely welcome--set of emotional hurdles.What's a budding musical genius to do in the pent-up lull between albums? Mercury Prize-winning singer-songwriter Badly Drawn Boy (nee Damon Gough), in his spare time between heralded debut THE HOUR OF BEWILDERBEEST, and a follow-up to be released later in 2002, approached the filmmakers adapting Nick Hornby's acclaimed novel ABOUT A BOY about the soundtrack for the film starring Hugh Grant. There's no question to the logic of the combination as Gough's sublimely literate, disaffected yet still charmingly breezy pop music fits the story of life's apparent losers at two stages of life, one an apathetic wo! manizer approaching his 40s, the other a bullied misfit boy passing into his teens, between whom an unlikely friendship ensues. A folky singer/songwriter scoring songs to help set the tone of a movie about unlikely friendship could stir up memories of Cat Stevens's unreleased soundtrack for "Harold & Maude," a fair enough assessment. In a similar fashion (but in its own way), Badly Drawn Boy's take on ABOUT A BOY weaves a mournful, yet upbeat tapestry drawing from its source material while managing to enrich the story itself. There are even some pop megahit hooks such as in the rolling "Silent Sigh" and in the head-bobbing, ostensible theme song "Something To Talk About."Will Freeman, a shallow thirty-something bachelor, lives a carefree life courtesy of his deceased father's fortune. Will is terrified of commitment and so decides that single mothers will make the easiest romantic targets... His world is turned around when he meets Marcus, a twelve year old boy. Marcus teac! hes Will that there is much more to life than loafing around i! n his Lo ndon flat and worrying about the latest trends and fashions... Based on the best selling novel by Nick Hornby.
More from Tony Bennett
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At this point, who else but Tony Bennett would have the clout to round up stars on the scale of Elton John, Paul McCartney, Bono, Celine Dion and Barbra Streisand for some duets? (Note also that unlike some similar projects, all the parties involved on this CD were alive when it was recorded!) The material consists of relatively obvious classics in standard big-band arrangements, and Bennett himself is in top form at age 80, so much so that he doesn't need anybody else to handle "I Left My Heart in San Francisco." But the fun comes from checking out how his collaborators fare. The Dixie Chicks provide wonderful Andrews Sistersâ"type harmonies on the percolating version of "Lullaby of Broadway" that opens the festivities. The best songs tend to be the ones where Bennett's slightly crag! gy voice is juxtaposed to smooth female ones, like Diana Krall on "The Best Is Yet to Come," familiar accomplice k.d. lang on the sultry "Because of You" and Streisandâ"-perhaps Bennett's only equal in stature at this pointâ"on "Smile." Among the less expected guests, soulman John Legend is a revelation on the hard-swinging "Sing, You Sinners," while George Michael confirms heâs quite the crooner on "How Do You Keep the Music Playing?" Elvis Costello, Celine Dion or Juanes don't sound as comfortable, and sometimes it feels as if they overdo it to compensate, but overall this collection is among the best of its kind, with most guests rising to the occasion. --Elisabeth VincentelliAcademy Award(R)-winner Gwyneth Paltrow (Best Actress, SHAKESPEARE IN LOVE, THE TALENTED MR. RIPLEY) and Scott Speedman (TV's FELICITY) are part of the stellar ensemble cast in a hilariously offbeat comedy! The lives of six stranges become outrageously intertwined when a riotous road trip! culminates at the site of the national Karaoke championships.! As they compete for the $5,000 grand prize, this unlikely group will eventually learn all about each other ... while discovering answers to the questions about themselves! Also featuring great performances from Maria Bello (COYOTE UGLY), Andre Braugher (FREQUENCY), Paul Giamatti (BIG MOMMA'S HOUSE), and Huey Lewis (SHADOW OF DOUBT) -- you'll agree with audiences everywhere who fell in love with this uncommonly entertaining comedy!Karaoke is a way for average people to get on stage and sing cover songs. In Duets, it's also a money sport. No, really. As with other bar sports (pool, darts), the karaoke-for-money game is rife with hustlers. One such hustler is Ricky Dean (Huey Lewis), who takes time off the karaoke circuit to attend the funeral of his ex-wife, where he meets his estranged daughter (Gwyneth Paltrow) and can't shake her desire to go on the road with him. The other hustler is Suzi Loomis (Maria Bello), a woman who literally prostitutes herself to get from gig to g! ig, until she meets up with a kind-hearted cabby (Scott Speedman). Then there's Todd Woods (Paul Giamatti), who gets so fed up with his sales job and being ignored at home that he hits the road, moving from karaoke bar to karaoke bar in a voyage of self-discovery. Along the way he picks up Reggie Kane (Andre Braugher), an escaped felon with a voice like an angel. All three couples end up in Omaha for the $5,000 karaoke finals. Chock full of bad writing and bad direction, the movie inspires a perverse fascination. Braugher and Giamatti chew up the scenery at every opportunity, but most interesting is the father-daughter incest subtext (compounded by the fact that the movie is directed by Gwyneth's dad, Bruce Paltrow). Eeeeesh. --Andy Spletzer
Beyond Charlie Bartlett
| More "School Days" Comedies | The Charlie Bartlett Soundtrack | More from MGM |
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More Nick & Norah's Infinate Playlist
| Paperback Book | Soundtrack CD |